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This event is all ages
*Ticket includes round trip ferry transportation to Governors Island
children under the age of 12 are free with parent!

Founded in 1996 by John Davis and François K. as a weekly party in New York City's Club Vinyl with Joe Claussell, François K. and Danny Krivit playing together as one. Being a Sunday afternoon party (3pm to 12 am), it soon was considered as “church”, where you went to dance, sweat and lose yourself in the tribal experience. Celebrating its twenty-first anniversary in July, the party has been acknowledged as a symbol of the unifying power of dance music for its audience reaching across all cultural, racial, sexual, generational and more lines. It is a musical journey of everything from house to jazz and from rock to techno. The blend is seamless and the vibe second to none. Body & SOUL is known across the globe (Japan, UK, Italy, France)


Body & SOUL was founded in 1996 by John Davis and François K. as a weekly party in New York City's Club Vinyl with Joe Claussell, François K. and Danny Krivit playing together as one. Being a Sunday afternoon party (4pm to 12 am), it soon was considered as “church”, where you went to dance, sweat and lose yourself in the tribal experience. Celebrating its twenty-first anniversary in July, the party has been acknowledged as a symbol of the unifying power of dance music for its audience reaching across all cultural, racial, sexual, generational and more lines. It is a musical journey of everything from house to jazz and from rock to techno. The blend is seamless and the vibe second to none. Body & SOUL is known across the globe and frequently tours in Japan, UK, Italy, France, The Netherlands and more.


Only Frankie Knuckles can lay claim to straddling a longer span of time in the thick of dance music than François Kevorkian. And though his name is no more than vaguely familiar to many dance fans, Kevorkian's influence is immense. Beginning with his production work for the crucial disco label Prelude during the late '70s and extending through an immense quantity of remixes and productions for legions of pop bands during the following decade, few producers did more to mechanize and refine the disco template into music clearly recognizable as house. After moving from his native France to New York City in the mid-'70s, Kevorkian learned the art of mixing from the era's most influential DJs (Walter Gibbons, Jellybean, Larry Levan). He began producing early reel-to-reel cut-ups, patterned on dub techniques, which pushed bouts of much-needed experimentalism into disco. He then brought the dance treatment to scores of alternative bands and pop stars who needed it during the '80s and '90s. Unfortunately, Kevorkian never spent as much time on his own productions, releasing very few singles though he helmed his own imprint, Wave Records.

Born in Rodez, France in the mid-'50s, Kevorkian grew up in the suburbs of Paris, playing drums in several bands while studying biochemical engineering and pharmacy in college. After deciding to chuck in his studies, he moved to New York and began playing with any pick-up bands he could find. His first important work in the club scene came when Kevorkian took a part-time gig at the club Galaxy 21, providing live fill-in drums for the DJ, Walter Gibbons. Though the club later closed, Kevorkian moved on to another named Experiment Four and became friends with its resident, Jellybean Benitez.
Kevorkian soon began producing his own tracks after he learned that Benitez owned a four-track reel-to-reel machine. Hoping to warp tracks for maximum dancefloor consumption, Kevorkian recorded dub-inspired cut-and-paste megamixes with splice and edit techniques, even adding special effects gained from movies and other sources. (One of his first productions, a version of "Happy Song and Dance" by Rare Earth, was a New York club staple for years afterward.)

In mid-1977, he started DJing at a club known as New York, New York -- the premiere disco spot after Studio 54. While working there, Kevorkian met DJ legend Larry Levan and the two became fast friends. After Kevorkian was tapped for an A&R position at the disco label Prelude, he began working at the label's studios with Levan, creating mixes for the West End and Salsoul imprints as well as Prelude. Kevorkian's mix for Musique's 1978 single "Push Push (In the Bush)" went gold -- despite an obvious lack of chart action -- and his productions for another Prelude act, D-Train, resulted in additional club hits like "You're the One for Me," "Music," and "Keep On."

A talent for studio mixing and his requisite dance floor credentials made François Kevorkian one of the most in-demand producers during the '80s. An increased momentum during the decade for general dance music pushed labels to request special nightclub versions of pop songs for the dance crowd, and Kevorkian obliged hundreds of times, for such groups as Yaz, the Smiths, Depeche Mode, Diana Ross, Adam Ant, U2, Kraftwerk, Matthew Sweet, the Pet Shop Boys, Thomas Dolby, Ashford & Simpson, and Erasure, among many others. In 1987, he founded Axis Studios as well, which provided a home for recordings by Madonna, C+C Music Factory, Mariah Carey, and Deee-Lite.

Given his busy studio schedule, it's no wonder Kevorkian neglected his DJing during most of the '80s. He returned to form in 1990, and traveled to Japan with Larry Levan for several high-profile gigs. Kevorkian became a label owner himself in the '90s; his Wave imprint provided a home for several of his own productions, including 1997's pioneering FK-EP. The best document of his DJing skills, Essential Mix, appeared in 2000. ~ John Bush, Rovi


Growing up in Greenwich Village, New York City, in the 1960s, Danny was surrounded by music. His mother was an accomplished jazz singer and his father was the manager of legendary jazz trumpeter Chet Baker before going on to open up "The Ninth Circle", a Village hot spot, where Danny worked as a boy. It was here that Danny met some of the most influential people in the music scene; Janis Joplin, Jimi Hendrix, Charlie Mingus, John Lennon & Yoko Ono amongst others. His home was also a hotbed of musical inspiration, with The Mothers of Invention living down the hall, and Sid Bernstein (Manager of The Rascals) living upstairs, regularly popping down to the Krivit household to practice their future hits on the piano. At school, a close friend and classmate was the son of Creed Taylor, the production genius behind many artists who recorded on the VERVE, C.T.I. and KUDA labels, and another close friend was the legendary soul guru Nile Rogers.

By 1970 Danny was already a vinyl junkie & an amateur DJ, But DJ'ing as a profession wasn't realized until 1971, after another neighbor/friend of Danny's (Vice President of Polydor Records) introduced Danny to one of his artists - none other than the legendary James Brown, who gave Danny white-label promo copies of his "Get on the Good foot" and "Think" by Lynn Collins. Soon after, Danny started Djing at "The Ninth Circle" which by now had been transformed into a disco. In 1975, Danny's father opened his second club, "Ones", Danny was their sole DJ through 1977. Danny's sets were a big success and from this he started promoting and Djing at his own after-hours club down the street. At this stage, Danny was becoming part of the underground scene, club-hopped a lot, meeting some of the greatest DJ names of the time. These included Nicky Siano (of the Gallery), Walter Gibbons (of Galaxy 21), Tee Scott (of Better Days) ,David Rodriguez (of The Limelight), Richie Kaczar (Club Hollywood), and Bobby DJ (of Le Jardin) amongst others. Although all outstanding names, one DJ and club stood out amongst the rest: DJ David Mancuso and The Loft. 

The Loft (A musical center and Mecca for DJs) was a unique place and home of the original Record Pool. This is where Danny began his long time friendships with DJs Larry Levan and Francois Kevorkian (Francois K). In 1977 when Danny started Djing at "Trude Hellers", he also had become an avid roller skater, and with his girlfriend (Daphne Rubin vega) would regularly skate over to the Paradise Garage, where Larry would let them skate around the club while he would check out some of the new records that week on the sound system. The Garage remained Danny's main stomping ground until it closed in 1987.

Danny's list of DJ residencies steadily grew throughout the 70s and in 1979, after Djing at the opening of the Roxy, he became their resident DJ for the next 4 years. In the early 80s the Roxy was the home of some of the best Hip hop DJs of the day like "D.S.T", Grand master Flash, and Africa Bambaata. Since Danny was one of the few white boys who could scratch mix, he became known as Danny Rock. Throughout the 80s his list of clubs he played at exploded to include, Area, Dancateria, The Ice Palace, Laces, The Limelite, Red Zone, Save The Robots, Studio 54(Virgin Islands), Tracks, The Tunnel, The World, and many, many others. Even a guest spot at the legendary Paradise Garage. 

Since the late 70s trade magazines such as Billboard, Cash Box, Record World, & Dance Music Report amongst others, have listed Danny's playlists and Danny's mix tapes have been getting airplay on radio station WBLS, WKTU, & KISS FM. 

The 80s' saw the beginning of Danny's studio work. He worked on tracks featuring legends such as, James Brown on "Soul Power", "The Funky Drummer", "Give it up and Turn it loose", Ecstacy, Passion & Pain on "Touch and Go", Brenda and the Tabulations "Let's Go All the Way", and Gloria Gaynor on "Casanova Brown".
Moving into the 90s, Danny commanded legendary status amongst young and old as well as continuing to forge new paths in dance music into the millennium. He inherited the Ninth Circle and continued to DJ at clubs such as Mars, Tracks, The Choice, Palladium, Shelter, Sound Factory Bar, Twilo, The Warehouse, & The Loft. At it's inseption in 1996, Danny joined the Body and Soul team, Francois K and Joe Claussell, at club Vinyl and has regularly played the party every Sunday since, whilst regularly Djing in various clubs in New York & Japan & everywhere inbetween. In 1999 one of Danny's highlights as a Body and Soul resident was Djing for a 15,000 strong crowd at one of three special Body and Soul event for "Summer Stage" in Central Park, NY. Danny's reputation outside New York has grown immensely over this time with Danny playing the world over, from America to Japan to Europe. He has hosted 2 special international Body and Soul events in London for "Angels of Love" and Giorgio Armani. 
Danny's talents and reputation has grown and continues to do so like his 50,000-strong record collection. He is also a VJ, with a collection of over 5000 rare soul performances on video from the 60s, 70s, 80's, & 90's. As well as having producer/editor/mixer credits included on over 70 records. 2001 sees Danny's 30th anniversary as a DJ and already this year has seen his name on over 25 records.


American DJ, remixer, musician, and label owner of both labels Spiritual Life Music and Sacred Rhythm Music. 

Joaquin "Joe" Claussell was born in Brooklyn to a large and diverse Puerto Rican family with deep musical roots. His first exposure to entertaining audiences was in his own neighborhood at block association events, musically led by one of his elder brothers Larry Claussell. Not long after he hit the club scene, beginning collecting vinyl at the age of 15 and his diverse taste for music and dance led him from a club called "The Inferno" to punk music’s sanctuary "CBGB", the alternative driven "Mudd Club", the more mainstream "Underground", and the legendary "Paradise Garage". 

While living in New York City's East Village in the early 1990s, he found and fell in love with a record store called Dance Tracks, forming a friendship with the owner, Claussell became the store’s DJ and had weekly parties that drew a diverse and increasingly devoted crowd of music lovers. Following an invitation from and good friend and owner, Stan Hatzakis, he began producing, completing his first remix “Over” and his produced first track "Awade”. Over time he learned the music business and eventually took over Dance Tracks alongside Stefan Prescott. 

In 1996 Claussell launched his independent eclectic world house label Spiritual Life Music from the back of Dance Tracks, and around the same time over saw the birth of Ibadan Records with friend and executive producer Jerome Sydenham. He later expanded into label Sacred Rhythm Music in the 2000s. The labels’ productions featured organic African, Brazilian, Latin, and Middle Eastern rhythms, crossing over into Disco, Jazz, House, and other electronic music, with him being intricately involved in every aspect of the production process: music, writing, selection/creation of the visual art, and graphic design. These labels have nourished many fledgling artists, with first release "Nothing's Changed" by Ten City, followed by works from Jephté Guillaume, Mateo & Matos, Slam Mode, and 3 Generations Walking among others, along with his own first full-length album "Language" (1999). 

Popular and underground artists and labels have sought him out for collaboration and remixes, including those of Femi Kuti, Herbie Hancock, Beth Orton, Stuart Matthewman (of Sade), Cassandra Wilson, Diana Ross, and Manuel Göttsching, to name a few. His remixes have revived classics such as Hector Lavoe‘s classic “Alejate;” Cesaria Evora’s “Sangue De Beirona”, and Nina Simone's “Feeling Good” – the latter featuring on prominent TV show “Sex And The City”. Joe’s "Feeling Good" remix sung by the late Nina Simone was solely responsible for the reemergence of the song, which spawned countless remakes. 

Since 1996, Claussell joined Francois K and Danny Krivit to play for the legendary “Body & Soul” Sunday afternoon dance party, and for 6 years music and dance lovers from NYC and around the world came every week to experience the totally unique musical journey of classic, world, soul, disco, funk, and house. 

Claussell's demand as a producer and remixer keeps him working and continues his worldwide DJ-ing schedule. His artistic talents are also sought after in the visual art world, where he toured with a project titled “Trembling Sensing Space”, produced by Dutch theater director Lidy Six. As a musician, Claussell has toured with the likes of the world-renowned percussionist Mino Cinelu, and he has also played alongside pianist/keyboard extraordinaire Bugge Wesseltoft in a band that includes Erik Truffaz, Ilhan Ersahin, Erik Holm, and Torun Eriksen. 

While in New York, he also began the "Sacred Rhythm Party", designed to bring house music and live musicians together in an intimate environment, and his first Internet radio show titled “an invitation to openness”, gives him the freedom playing whatever speaks to him at that moment, as opposed to being at the mercy of the listening audience. 

He is the brother of percussionist José "Cochise" Claussell.


Underground Resistance is probably the most militantly political outcropping of modern urban American techno. Combining a grubby, four-track aesthetic, an almost strictly DIY business philosophy, and an oppositional, militaristic ethos similar to Public Enemy without the drama (or the familiarity; the members refuse to be photographed without bandanas obscuring their identities), UR have redirected their portion of the Detroit techno legacy to social activist ends, trading mainstream popularity and financial success for independence and self-determination. Begun in the early '90s by Detroit second-wave trinity Mike Banks, Robert Hood & Jeff Mills, UR adapted the flavor and kick of early Detroit techno to the complex social, political, and economic circumstances in the wake of Reagan-era accelerated inner-city decline, and was formed as an outlet for uncompromising music geared toward awareness and change.

The early UR catalog is defined by a typically Detroit combination of Motown and Chicago soul, and ruthless, at times caustic lo-fi techno, acid, and electro (Mills' background is in, among other things, Chicago industrial and EBM-style electro-techno, with Banks and Hood both coming from a solid house and techno base). Much of the label's early output was the product of various permutations of Banks, Mills, and Hood, both solo and in combination, before Mills and Hood left UR in 1992 to pursue (and achieve) international success. Banks continued to operate UR in the wake of the split, releasing EPs such as "Return of Acid Rain," "Message to the Majors," and "Galaxy to Galaxy" under the UR banner, as well as 12-inches by increasingly renowned artists such as Drexciya, Suburban Knight and Scan 7. The first actual full-length credited to Underground Resistance was 1998's Interstellar Fugitives. When the UR and Submerge Recordings Headquarters moved from 2030 Grand River to 3000 E Grand Blvd., the UR 'family' transformed again by assigning new members such as DJ 3000, S², Aquanauts, Buzz Goree and most notably the live band Los Hermanos.

Earlier Event: July 2
Later Event: July 4